Jonathan Fowler
Video Producer
Video Producer
Sep 10th
I’ve been a big fan of HDR photography since I first discovered it three years ago. While it can be overdone, or applied without motivation, it can produce some amazing results under the right circumstances. Capturing detail in the highest of highs and lowest of lows results in an effect that I like to think of as “hyper-real.”
As a videographer, I scrambled to apply the technique to video. The obvious approach (considering my lack of a degree in optical engineering) was to apply HDR technology to timelapse videography. There are some great creatives out there that have been perfecting the craft, with lots of great advice, but here is my personal approach:
I’ve been waiting for someone unleash full HDR video, though I honestly thought it would be a few more years before a feasible arrangement was discovered. Soviet Montage Productions solved the problem by using a beam splitter and two 5D Mark IIs. I have yet to find a detailed explanation of the technique, but am eager to see the rig. You can view the video above. Engadget has a brief review, as does the caption in the original Vimeo post. Wow.
Jun 2nd
Filmmaker Arev Manoukian combined all of the right elements to make his amazing short, Nuit Blanche. From Wired:
For Arev Manoukian, capturing the live action for his elegant short film Nuit Blanche came easy: He filmed two principal actors in four days on a green-screen soundstage in Toronto.
The hard part happened over the next eight months, as the 28-year-old Canadian filmmaker hammered out densely layered digital effects shots culminating in a crushingly effective slow-motion car crash lavished with beautiful breaking glass.
That attention to detail paid off. Within days of posting the four-minute, 41-second romantic drama on the Spy Films website, Manoukian says he got calls from Hollywood agents and managers. He signed with talent agency William Morris Endeavor last month and went on a two-week spree of meetings with studios and producers. “Needless to say, it’s very exciting,” Manoukian told Wired.com in an e-mail interview.
In March, he brainstormed with Wanted director Timur Bekmambetov and 9 producer Jim Lemley. “I just came back from some very promising meetings,” Manoukian says. “They are interested in producing my first feature!”
Continue reading the article for some of the technical details and a short interview with Manoukian. Also, just to round everything off, watch the making-of video.
Apr 8th
In this tutorial I show you how to create the so-called “The Kid Stays in the Picture” effect (sometimes referred to as the 2.5D effect). The idea is to separate a still image into distinct layers, move those layers in respect to the Z-axis, then animate movement on those layers to give the impression of 3 dimensions. The effect is a refreshing (though admittedly similar) alternative to the omnipresent Ken Burns effect. Like the Ken Burns effect, it lends itself nicely to documentary films which tend to rely heavily on using stills or photos as illustrative B-Roll.
The effect is named after the documentary, The Kid Stays in the Picture, which uses the technique extensively and in many creative ways. If you have not seen this film, I highly recommend checking it out.
Viewing options: View the full tutorial in HD, above. View in HD on Vimeo. View in HD on YouTube (Part 1 and Part 2).